Ahead of the Curve

Curating Independent Festivals in a Changing World

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What does “independent” even mean now? The word once promised freedom, but today’s independent festivals are free from some constraints and newly dependent on others — and this panel asks what, exactly, has changed. Without the institutional backing of the major players, how do you balance survival with artistic risk, and at what point does the search for funding — public, private, or international — quietly compromise the independence that defines you? Is precarity only a constraint, or has it become a generative force, pushing collectives, co-productions, and shared resources to replace traditional funding?

The conversation turns on whether staying small is a strategic choice or an enforced limit, and whether independent festivals remain a true alternative to institutional gatekeeping or have bred new forms of it. It probes freedom of expression under political pressure, where self-censorship shades from survival strategy into self-betrayal, and whether neutrality is even possible. It asks what these festivals owe their cities beyond the festival moment, how they serve artists rather than merely exposing them to new kinds of precarity, and which inherited models no longer fit. If independent festivals are “ahead of the curve,” which curve are they actually bending — and could they become the new mainstream, losing something vital if they do?

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Chris Simion & Tiberiu Mercurian  ·  Director & Producer, Undercloud Independent Theatre Festival (ROU)

Harold David  ·  Director, Avignon Off (FRA)

Gökhan Tüzün, Director Antalya State Theaters & Antalya International Theatre Festival (TUR); 

Mazen El Gharabawy  ·  President, Sharm El Sheikh International Theatre Festival for Youth (EGY)

Moderator — Hege Knarvik Sande  ·  CEO, Performing Arts Hub Norway (NOR)

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Event in English, with translation into Romanian
Duration: 1h 15min